Showing posts with label Writing the Breakout Novel. Show all posts
Showing posts with label Writing the Breakout Novel. Show all posts

Monday, June 25, 2012

Why Doubt is OK


I’m a plotter. Writing mysteries means that I need to know how my character is going to cross obstacles, find clues and get to the bottom of things, alive, and in one piece by the end of the story. Many times, during revision, after I’ve read or re-written a scene a creeper of doubt will start to grow. ‘Does this sound plausible?’ doubt will ask me. ‘Is it believable?’ it will nag at me. My first reaction is to dig up that creeper and chuck it as far away from me as possible. ‘Think positive’ I tell myself. Don’t second guess yourself. Doubt isn’t going to help you finish the story.

My second reaction is different. I wait. For that creeper to re-grow. It usually does. This time I don’t run away from that feeling of doubt. I look at it. While it grows I examine it. After the examination, I pat myself on the back. ‘I’ve faced doubt,’ I tell myself. ‘Now, time to move on to the next scene.’

But it doesn’t end there. If there is every even a niggling thought in the corner of my mind ‘does my character stay true to herself?’ ‘does the scene ring true to the story arc?’ ‘would someone really use feng shui to increase luck in her life?’ that creeper of doubt will return and re-grow until I face it square in the face and do a re-write.

Doubt keeps our compass pointing true. It allows us to move from one point of view to another and view the facts with truth. It’s uncomfortable! It’s painful! Doubt isn’t an easy emotion to allow yourself to feel, especially, when you’re trying to keep positive through a revision. Doubt, I’m constantly afraid, can lead me to a dead standstill. I may get the ‘I’m no good! Why am I even trying to write this story!? Let me pick another story’ feelings. But when I do allow doubt to linger, when I look at it without negative connotations and allow it to swim steady in my head I start to pick apart the various pieces in my scene. I examine each bit like a true Nancy Drew –clearly and without judgment. It gets me energized to re-think the scene from a different angle, to ask the what-if questions and then think up answers to write a stronger, better scene.

What do you think? Do you say ‘hello’ to doubt or ask it to take a hike?

Thursday, June 21, 2012

Raising The Stakes

Raise your hand if you have read Writing the Breakout Novel by Donald Maass. *Raising my own hand* I may be alone here, but I am going to go out on a limb and be honest. As I read this book I asked myself how I could apply his teachings to my own WIPs as well as other books I've read.

Fast forward a few weeks and the reading of Insurgent (Divergent #2) by Veronica Roth and that Ah-ha moment slapped me in the face, hard. I'm not positive and haven't found anything yet stating that Roth specifically used Writing the Breakout Novel, but I have my strong suspicions she did. 

<p>Image courtesy of <a href="http://www.freedigitalphotos.net">FreeDigitalPhotos.net</a></p>
Which brings us face to face with today's post - Raising the Stakes. Maass gives two questions in his book which I have affixed to my editing folder. (Yes, I have a manila folder with editing notes scribbled all over it.) As I have been recently editing an older WIP I've been reminded to ask these questions with each chapter/scene.

  1. "How could things get worse?" 
  2. "When would be the worst moment for them to get worse?" 

At each and every turn of Insurgent something was happening, causing Tris to continually change her course of action. The stakes weren't always life threatening, but they all added emotional danger to Tris. That's why as readers we keep turning the pages. Just when you think things can't get worse, they do. We keep moving forward to make sure Tris is making the right choices. I will be honest, again, I had my doubts about Tris's choices a few times, but in the end I finally understood why she made the choices she did.

In addition to those two big questions are the type of stakes. You NEED both!

  1. Personal Stakes
  2. Public Stakes

And, no, the stakes don't all need to be huge. But, they do need to create emotional danger. They need to cause the main character to make choices which lead to their own suffering and sacrifice. There were so many points during Insurgent that my heart was breaking for Tris and what she was going through. Roth hit home with the emotional suffering and sacrifice she put Tris through.

So, now that we are armed with two very big questions and two types of stakes to raise, let's all take a little time to reassess our WIPs.

Good luck!